As my next step for reading Agatha Christie’s first decade in order, I decided to scoop up Poirot Investigates – a collection of her short stories first published in The Sketch magazine. I could have gone straight on to her next novel, The Man in the Brown Suit (1924), but it seemed worthwhile to understand what Christie was putting out in the year leading up to it. The stories of Poirot Investigates were released between March and October of 1923, unless you factor in the three stories included in the US edition, in which case they stretch on an additional month to November. In that way, this overlaps nicely with my recent reading of The Murder on the Links (1923).
Poirot Investigates doesn’t include all of the short stories that Christie published in The Sketch throughout 1923. For that, you’d need to factor in Poirot’s Early Cases, which wasn’t released until 1974 (although the stories had already been released in various other collections – The Regatta Mystery, Three Blind Mice, The Under Dog, and Double Sin). Nor are the stories in order of release; rather, they’re somewhat randomly scattered. Continue reading “Poirot Investigates – Agatha Christie (1924)”
It’s been a while since I looked at The Quintessence of Queen #1 – an anthology of “best prize stories” from Ellery Queen Mystery Magazine. It was originally published alongside these entries as part of a larger collection, but my Avon editions find the compilation split in two. We get some reasonably big names in part two – Nicolas Blake, Helen McCloy, and John Dickson Carr, plus entries by less renowned authors. Similar to part one, you get a wide range of styles, although not too many of the stories really stand out. Two of them do though. Both Carr and Jorge Luis Borges provide excellent entries well worth tracking down.
Continue reading “The Quintessence of Queen #2”
I wouldn’t normally write about a single short story. At least, I think I wouldn’t. As much as I love a short mystery, I’ve mostly avoided the form since I started reading through John Dickson Carr’s library. I know that a few of his shorts share elements with a novel or two, and I’d rather ruin the abbreviated form if it comes to that. Of course, that shouldn’t keep me from digging into other author’s short stories, but somehow I’ve formed a bit of a habit.
Well, here I am, talking about a short story… by John Dickson Carr no less. I’ve been making my way slowly through The Quintessence of Queen #2 (#1 is reviewed here), and figured I might as well read the one Carr story contained within. Suffice to say, it was good enough that I’m actually writing more than a blurb about it.
Continue reading “The Gentleman From Paris – John Dickson Carr (1950)”
I acquired a substantial portion of my Ellery Queen library through bulk purchases of 15-30 books at a time. Swept up in the tide were several “associated by name only” compilations such as The Quintessence of Queen – assortments of short stories published in Ellery Queen Mystery Magazine and probably tossed into the bundles by some seller who didn’t know much better.
I’m admit I’m a fan of the short story. As a child I read a fair amount of Ray Bradbury and similar authors who walked the tightrope between science fiction, mystery, and horror. As an adult, I found my way into the locked room genre via the short story form. Since going full in with my reading of John Dickson Carr, I’ve stuck to novels based on the knowledge that authors such as him recycled story ideas occasionally – The Gilded Man being a well known example to appear in both short and long form. Better to ruin a twenty page read than a two hundred page one…
Continue reading “The Quintessence of Queen – Edited by Anthony Boucher (1962)”