
While I enjoy watching mystery films, I’ve never felt that Golden Age style fair play mysteries translate particularly well to the screen. The stories are all about these subtle moments and clues that stand out in retrospect when encountered on the page, but just get lost in the background when presented on film. I watch the Agatha Christie adaptations with friends, and I’m screaming in my mind “you glanced away while the maid was setting down the coffee cup in the background of the shot!!!!!!” Either that, or the camera pans in on the coffee cup on the sideboard while an ominous chord sounds, and then why even bother…
But although my beloved novels would probably fall flat as movies, I’ve always thought of particular scenes that I’d love to see captured on film. My number one is the murder scene in The Judas Window – a solution that many deride for being overly complex, yet I think would play out as stunningly simple on screen. There’s also the murder scene in The Problem of the Green Capsule, which if done right could be horrifically creepy, and of course the point of that book is that witnesses perceive the same exact events differently, so why not make the audience a part of that?
Continue reading “Murder in the Crooked House – Soji Shimada (1982)”