Let me get this out of the way really quick so that you can decide if you want to read further. The Devil in Velvet is not a mystery novel. Yeah, it kind of features the puzzle of a semi-impossible poisoning, but that’s merely a backdrop to a book that must have captured every last passion of late career John Dickson Carr’s infatuation with history. Why read further? The Devil in Velvet is often cited as one of Carr’s best historical mysteries (which I’ll refute), and understanding what the author was aiming for provides an interesting insight into his wider career.
Carr spent the last two decades of his career focusing primarily on historical mysteries. The most well regarded, published between The Bride of Newgate (1950) and The Demoniacs (1962) were swashbuckling affairs – light on Carr’s trademark impossible crimes, but heavy on adventure and sword play. I’ll admit that the description doesn’t appeal to me on the surface, but just read Fire, Burn or Captain Cut Throat, and I think most golden age mystery fans will find themselves turned on to a type of novel that they didn’t know they wanted.
Continue reading “The Devil in Velvet – John Dickson Carr (1951)”
Ever since I started reading John Dickson Carr, one thing was clear – Papa La Bas was a title to steer clear of. Across a career of over 70 novels, it’s inevitable that a writer is going to have a few duds. What’s amazing is that out of the 50-some Carr titles that I’ve read, I’d only say that two are flat out bad and a handful have problems. Papa La Bas appeared to be a consensus bad one, although I’ve oddly never stumbled upon a full blown blog review.
As I’ve detailed a few times by now, I’ve grown leery of the bad reputation that some Carr books have. The Problem of the Wire Cage is a near classic. Below Suspicion is an under appreciated gem. I wouldn’t phone home about Patrick Butler for the Defense, but it was a decent read. Even Carr’s supposedly dreadful final novel, The Hungry Goblin, was merely a mediocre read.
Continue reading “Papa La Bas – John Dickson Carr (1968)”
Scandal at High Chimneys is one of the John Dickson Carr novels that has remained somewhat of an enigma to me. Prior to reading it I had never seen a review on a spoiler free site, and thus lacked any real background for the story. I knew that the novel fell into the first period of Carr historicals – the books published between 1950 (The Bride of Newgate) and 1964 (Most Secret) that take place in 1600-1800 era England (Captain Cut Throat being a exception in location, and The Witch of the Low Tide being an exception in period). The works tend to be better regarded than the second period historicals, which take place in the US south (with the exception of The Hungry Goblin) and are considered to have come after Carr began his later-year decline.
With the first era historicals, you kind of know what to expect. The plot will focus on the plight of someone wrongly accused of murder – either the male lead or his love interest. The story will follow a race against time to clear the name of the falsely accused as the law forces of the time period close in. While the core mystery may bear some passing resemblance to an impossible crime, there will never be Carr’s trademark strength of puzzle nor cleverness of solution.
Continue reading “Scandal at High Chimneys – John Dickson Carr (1959)”
The phrase “historical mystery” instantly brings to mind John Dickson Carr. The author shifted his focus from contemporary Golden Age mysteries starting with The Bride of Newgate (1950) and contributed heavily to the sub-genre up until his final novel – The Hungry Goblin. His historical works cover ground between the seventeenth century (The Devil in Velvet) up until the time of his own birth (The Witch of the Low Tide) and I’ve seen several comments claiming that he basically created the historical mystery.
Or does Agatha Christie hold that title? Death Comes as the End, published in 1945, came out five years before The Bride of Newgate. Set in ancient Egypt, the tale of death stalking a high priest’s family certainly checks the boxes for historical and mystery. It’s worth mentioning though that Carr had two prior historical works – the non-fiction The Murder of Sir Edmund Godfrey (1936) and Devil Kinsmere (1934), although I haven’t read the later and I’m not certain that it qualifies as a mystery.
Continue reading “Death Comes as the End – Agatha Christie (1945)”
Fear not – I haven’t abandoned my focus on GAD mysteries and impossible crime in exchange for 1970’s romance novels (well, not that I’m admitting…). Alas For Her That Met Me! is a late career novel by my personal Queen of Crime, Christianna Brand. Yes, the cover and the title may have you scratching your head, but I assure you there’s a reason behind this madness.
I’ve absolutely loved the Brand books that I’ve read so far. The author has a wit to her writing, a strange ability to forge a bond between the reader and her characters, and one of the most skilled hands at misdirection that I’ve yet to encounter. Unfortunately, she only wrote 10 murder mysteries – or so I’ve been told. I’ve found it difficult to really piece Brand’s career together, with the best reference I’ve been able to find being Wikipedia (never a good sign…). There’s the Inspector Cockrill series, for which she’s known, and then a handful of lesser known mystery novels featuring Inspector Chucky and Inspector Charlesworth – of those, only Death in High Heels really garners any attention. Brand seems to have ended her core mystery writing career in the mid-1950’s, with Tour de Force being her last “classic” title.
Continue reading “Alas For Her That Met Me! – Christianna Brand as Mary Ann Ashe (1976)”
The Bride of Newgate is the first of John Dickson Carr’s historical mysteries. Well, in a certain sense. It was preceded by Devil Kinsmere (published under the alias of Roger Fairbairn) in 1934 (and later republished in 1964 as Most Secret) and the non-fiction The Murder of Sir Edmund Godfrey in 1936. The Bride of Newgate was the beginning of what I see as Carr’s core historical run, lasting from its publishing in 1950 through to The Demoniacs in 1962.
Most of these stories follow somewhat of a formula. A hero is accused of a crime that they didn’t commit and must race against time and conspiring forces to solve the mystery – a puzzle that is somewhat light by Carr’s typical standards. Along the way he’ll win the heart and protect the honor of his one true love. There will be daring feats and duels, often involving humiliating a brash member of the upper crust. Oh, and time travel – there may be some of that.
Continue reading “The Bride of Newgate – John Dickson Carr (1950)”
Avast ye swabs! Batten down the hatches! Tonight we set sail on the high seas with John Dickson Carr’s Captain Cut-Throat!
Oh….er…you say there aren’t any pirates? Well, forgive me for thinking so. I’ve collected a number of copies of this book (as evidenced by my cover shots) completely by accident. With 70+ books, the most economical means for collecting Carr’s works has been to buy in bulk. My very first parcel of Carr included a copy of Captain Cut-Throat, and down to the very bottom of the pile it went. I simply wasn’t interested.
I came into the works of the author with a singular focus – I wanted impossible crimes and his most famous titles provided the perfect blend of what I was looking for. Why read a novel that trades impossibilities for a historical action romp? I might as well read some random swashbuckler books from authors I’ve never heard of. Sorry, but not my thing.
Continue reading “Captain Cut-Throat – John Dickson Carr (1955)”