Aside from The Hollow Man, no other book is more likely to occupy a top 10 Carr list than The Crooked Hinge. Not only a fan favorite, the book has been ranked highly in some fairly famous lists and polls, even being branded the fourth best impossible crime novel of all time. And yet, in recent years, the story seems to have fallen out of favor. Perhaps that’s natural – with everyone heralding The Hollow Man and The Crooked Hinge as the top of Carr’s work, it seems reasonable that they would eventually be viewed with a higher degree of criticism. It’s like the hit single by that band that you like – everyone knows that track, and maybe it even got you into the band, but you’ve come to recognize that the true gems lie with the more obscure album cuts and b-sides. Maybe.
I’ve really been looking forward to reading this one, exercising some restraint by placing it well down in my To Be Read list. Partially, I held off on the book because I was under the impression that I had the ending spoiled for me online. I was happy to realize midway through that I must have been thinking of some other story; this truly was fresh ground for me.
Continue reading “The Crooked Hinge”
My encounter with Fire, Burn – one of Carr’s historical works, set in 1829 – emboldened me in a way. Up to then, I had intended to avoid the historical books, under the admittedly uninformed assumption that they wouldn’t provide what I was looking for in a Carr story. The assumption strikes me as odd in retrospect – why would an impossible crime set in the 1930’s thrill me so much more than an impossible crime set in the nineteenth century?
For one, there is a different degree of removal. Although most “modern” Carr books took place over 70 years ago, the 30’s and 40’s still muster a basic skeleton of familiarity to this day. The 1800’s? People in powered wigs or something like that…
Continue reading “The Witch of the Low Tide”
Like its namesake, The Unicorn Murders is an unusual beast. Part spy caper, part impossible crime, it’s a unique entry in the Carr library.
The story revolves around a duel between a master thief and a master detective. The thief publicly boasts of his intentions to steal a mysterious object, referred to as “The Unicorn”, during a flight to Paris. The detective, in turn, issues a public exclamation that he will be onboard the flight as well, with the intent to capture the thief. Both hero and villain are masters of disguise and nobody knows what they look like.
Not your standard Carr set up, am I right….? The whole premise of a super villain playing cat and mouse with his nemesis feels somewhat cardboard and out dated, although I suspect that this is Carr’s homage to The Mystery of the Yellow Room.
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Recently, the Invisible Event hosted a special celebration for John Dickson Carr’s 110th birthday, for which a number of bloggers contributed a Carr inspired write up to commemorate the day. I felt that something special was in order, not just a typical book review. Something that captured the essence of how the author resonates with me. Why then did I cheat and submit a review for The Man Who Could Not Shudder? A review, that in fact, I had actually published several days earlier?
Well, for one, I unexpectedly found myself very busy in the last days leading up to the event. More so, though, was my failed attempt to follow through on writing some “Best of” or “Top 5” lists for the special day. As someone currently exploring Carr’s work, the Top 5/10 list has been immensely valuable. They’ve given inspiration on where to focus my reading time. Not only did they point my way to some prime books for my initial endeavors, but they’ve helped me uncover gems like Death Watch that would have otherwise languished in obscurity at the bottom of my To Be Read stack.
Continue reading “The Carr Fan’s Lament”
Carr’s work typically falls into three categories – impossible crimes investigated by Fell, impossible crimes investigated by Merrivale, and some form of historical novel offering some level of impossible crime. There are a handful of exceptions – The Emperor’s Snuff Box and Poison in Jest being prime examples. Even in these cases, your going to get something somewhat expected – a baffling crime followed by an investigation to find the murderer.
The Nine Wrong Answers stands apart in that it isn’t a whodunnit Despite the plot taking place over the span of many days, the story doesn’t really involve any central murder or investigation. There is no impossible crime, and in a way, there almost isn’t really an outright mystery. Instead, we’re treated to a chess game between the author and the reader. At nine points throughout the novel, Carr sheds the convention of story telling and provides footnotes that speak directly to the reader. Each aside serves as a guide, assuring you that if you were to jump to a predictable conclusion, you would be wrong (hence the book’s name). Although true to his word, Carr uses these comments to ensare the reader, creating a form of mystery simply by ruling out the probable.
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When I started my journey with Carr, the road was laid out and predictable. I would read through a blend of the most highly regarded books before making my way into the middle ground – books you don’t hear too much about, but aren’t derided. Eventually, I figured, I’d hit a breaking point – slogging through a few disinteresting stories and then moving on to a different author. But, then a funny thing happened. I accidentally read Fire, Burn (thinking it was The Burning Court), which, while not derided, doesn’t exactly inspire stellar reviews. Shocked that I loved the book, I decided to step further into the deep end, next picking up Death Watch, which I’ve seen on a few “worst of Carr” lists. Absolutely loving that story, I now find myself at grips with The Man Who Could Not Shudder. While not despised at the same level as, say, Behind the Crimson Blind or The Hungry Goblin, this book is a staple when people list their least favorite Carr’s.
What led me to the book was a comment by JJ at The Invisible Event that there is a moment of brilliance – of sheer audacity on Carr’s part – when the solution is revealed. Ok, I’m sold. After experiencing a euphoric moment of clarity towards the end of The White Priory Murders, I had to have another taste.
Continue reading “The Man Who Could Not Shudder”
I recall an interesting debate on a blog about which book would be the best to introduce a newcomer to Carr. Upon the topic being introduced, my mind immediately flashed to classics like The Problem of the Green Capsule and The Judas Window.
This was an obvious reaction – why not start with a story that you’re bound to love? However, as I dug deeper into the comment section, a different position became prevalent. Don’t start with the best and then leave the reader expecting every book to be perfection. Well, I’m probably doing a horrible job paraphrasing the commenter, but the basic logic was that a newcomer should start with a solid story that gives them an introduction to Carr’s writing style, hooks them with a solid impossible crime, and sets the tone for what can be expected with future reading.
As I piece together my thoughts on Hag’s Nook, it strikes me that this might fit the criteria perfectly. Perhaps I’m a bit biased – after all, this was my first encounter with a full length Carr novel. Yet it’s all there – everything that makes a Carr novel great.
Continue reading “Hag’s Nook”